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The paris wife review
The paris wife review







the paris wife review

“There wasn’t any fear in him that I could see, just intensity and aliveness,” Hadley notes with cloying naïveté. Though eight years her junior, he is an ambitious, proud fledgling journalist intending to be a great writer. Louis who plays Rachmaninoff on the piano while yearning to break free of the staid “Victorian manners keeping everything safe and reliable.” Hemingway is just the ticket. The migraine-ridden daughter of a suffrage-minded mother and an alcoholic father who had committed suicide, Hadley is a sheltered young woman from St. Livelier and fresher is the reconstruction of Hadley’s youth. Hemingway Collection/JFK Library, via Associated Press “Keep watch for the girl who will come along and ruin everything,” Hadley warns herself, after the fact. They brought the sun with them and made the tides move.” No one does this better than chic Pauline Pfeiffer, a wealthy Midwesterner who works for Vogue, wears “a coat made of hundreds of chipmunk skins sewn painfully together” and sets her cap for Ernest.

the paris wife review

Though initially disgusted by the expatriate community, which, as the fictional Hadley remembers, “preened and talked rot and drank themselves sick,” Hemingway was ineluctably drawn into its orbit - and then into the orbit of the rich, who “had better days and freer nights. Narrated largely from Hadley’s point of view, “The Paris Wife” smoothly chronicles her five-year marriage to the novelist, most of which was spent in Paris among aspiring writers when, as McClain’s Hadley recalls, “we were beautifully blurred and happy.” This is her own movable feast: Paris was fresh, the wine was flowing and “there was only today to throw yourself into without thinking about tomorrow.”

the paris wife review

Hadley Richardson now comes into her own, sort of, as the long-suffering wife in Paula McLain’s stylish new novel. No one ever accused Ernest Hemingway of creating memorable women characters - except perhaps in his posthumously published Paris memoir, “A Moveable Feast,” where he idealizes his first wife, Hadley Richardson, as the alter ego who shared with him the good old days before fame and fortune and another woman wrecked it all.









The paris wife review