As the text shifts to labeling each boy’s chapters by name rather than noun, Pearson plants more red herrings than truthful hints about which boy is which some readers may guess right, while others will have it wrong until the explicit reveal.
The boys converge on the inn and enter posing as friends, neither knowing the other’s identity, each using the ruse to his own ends. Lia narrates in the first person, but so do two others: the jilted Prince, intrigued by and resentful at her flight, and the Assassin, sent from a third land to kill her. She settles in a fishing village and works, mostly incognito, at an inn. She’s the king’s First Daughter, but she won’t tolerate an arranged life, no matter how old the tradition. Unwilling to marry a foreign prince she’s never seen to secure a treaty between nations, Lia bolts from her father’s castle on the wedding day.
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